METAMUSIC, especially the METAMUSIC ARTIST SERIES, occupies a uniquely versatile position in the hierarchy of Hemi-Sync® learning tools. It can assist listeners to relax, meditate, sleep, or access their creative and learning potential F. Holmes Atwater reports on an encounter with the power of METAMUSIC which was monitored by TMI’s state-of-the-art brainmapping equipment.
For three years (1982-1985) the role of music and Hemi-Sync was explored in the rehabilitation of 20 developmentally disabled children. The children ranged in age from 5 months to 8 years with an average age of 2 years. Within the broad category of developmental disability the children had received specific diagnoses of cerebral palsy (16), mental retardation (10), autism (5), and uncontrolled seizure disorder (4). The children were referred for therapy because of severe feeding and pre-speech problems. Eighteen of the children were non-verbal and non-ambulatory because of the motor incoordination of cerebral palsy or an overall delay in development.
We’re very proud of all the releases in our METAMUSIC ARTIST SERIES. We know the care with which each composition is scrutinized for its applicability as a Hemi-Sync companion. We also love hearing what you derive from this meticulous effort.
Barbara's deep involvement with the Hemi-Sync® sound technology and three decades of research, testing, and teaching about the impact of speech, sound, and music on the brain were the impetus for a three-year effort to create a superlearning METAMUSIC®.
My presentation at this year’s professional seminar—Consciousness: The Endless Frontier—sought to restore awareness of the power of alchemy. An exploration of each of the seven alchemical stages, accompanied by the soundscape of specially selected METAMUSIC tracks that match the goals of each stage, was included. Why they were selected for each stage and how they can be used in life, work, and professional practice to elicit the seven stages of alchemical transformation at the appropriate times was explained.
Before beginning the usual therapeutic and educational interventions for autism, Berenice has her patients listen to METAMUSIC at least once a day—and three times a day if possible. This allows her to identify any changes attributable to Hemi-Sync® before regular treatment begins. This paper is based on a conference presentation. The data and the results Berenice obtained suggest why El Angel’s schedule is so full that potential patients are on a waiting list.